A day in the life of a Chicago cab driver is examined as he picks up fares from the good and bad parts of the city and emotionally connects to many of his passengers.

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A suspenseful story about an earnest and kind-hearted taxi driver who, by chance, turns into a violent murderer and races through the darkness of the city.

A series of ten 10-minute films – some humorous, some dramatic – capturing key in the lives of taxi drivers and their passengers. Among these journeys, a man visits his lover, a gay prostitute goes to work, two girls party on Christmas Eve, an American tourist sees 'real' London, and a cabbie helps a woman in distress.

Xabi and Sara break up just before their holiday trip. She leaves the house and Xabi stays alone. At first he doesn't seem to be affected, but soon weird things will start to happen as he feels sick with a strange disease. When he finally understands what is going on he'll have to make a decision that could change his life forever.

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UCLA Student Film, Preserved by the UCLA Film and Television Archive. A striking documentary shot cinema verite style of the 1968 Democratic National Convention in Chicago, with contrasting film and audio inside the convention center and the protests outside.

Fred Martin, a taxi driver who is a reformed convict, is used by the police to go undercover in order to help catch a gang of safe robbers. However things start to go wrong when the police stake out the wrong bank and Fred finds himself alone with the crooks.

A singer, dancer, and bandleader, Cab led one of the most popular African American big bands during the jazz and swing eras of the 1930s-40s, with Harlem’s famous Cotton Club as his home stage. Best known for his “Hi de hi de hi de ho” refrain from signature song “Minnie the Moocher,” portrayal of Sportin’ Life in Porgy and Bess (1952), and role in The Blues Brothers (1980), Cab influenced countless performers, including Michael and Janet Jackson, and many of today’s hip-hop artists.

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